Zora Palová remains faithful to her tactile creed of “hand” modeling of sculptures. The results are powerful, often fully plastic masses or structures, whether they are ships, bridges, seas or shadows, as she often names her creations. In the most recent period, she has internally maximized not only the format, form and artistic idea of the work, but especially her personal preoccupation and engagement as if it is really “about everything”. The essence of her sculptural thought was never “literary” or epic, but rather metaphorical and pictorial, and now it is becoming ever more evocative. Since she understands glass from all points of view, she can, so to speak, breathe life into this material. The personally experienced is transformed into the universally understandable, the visually effective into the magically spellbinding.