Born in 1990, she graduated from the Art Institute of Chicago with a Master's degree in Art Management and now lives and works in Hangzhou. The work takes performance as the main medium of creation, extending installation, image, text and collaborative cross-media works. With hip-hop dancers as the origin of her creative identity, she explores the possibilities of contemporary Performance. The spectacle scenes she creates in her "Asian People" series have a strong Remix, indefinable quality, and use the technical concepts and body language of hip-hop dance to create and deconstruct in contemporary art performance. The contradictions about the reality of the world are deeply discussed under the means of script and anti-script, body and anti-body, role and de-role, improvisation and anti-improvisation, metaphor and anti-narrative. As a generator of simulacra and social observation, "Subhuman" deconstructs and reorganizes all the seemingly discrete but implicitly related events of The Times through the body of the character in the fuzzy zone of consciousness. It is both a performance and a statement.